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JAMES
LOVELL
James Lovell
“Music is an extension of life.”
James Lovell speaking to Harold
Beckles in an interview at Blue
Wave Recording
Studios, dated November 4, 2002.
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James Lovell is an enthusiastic,
ebullient, and highly
enthusiastic 29-year-old
drummer and percussionist
whose musical journeying
began with his playing
on buckets as a child.
His introduction to
playing in an ensemble
began in his local church
band with Sister Marshall,
a scion of Barbadian
gospel music. He joined
her band after those
earliest gustatory years
of playing both on buckets
and anything else that
became available for
rhythmic experimentation.
Within his homeland
of Barbados, his formal
academic education at
the primary and secondary
levels included his
years at Eden Lodge
Primary and Coleridge
and Parry.
His professional career
began in 1990 at the
age of seventeen and
has included local bands
such as Krosfyah, Square
One, Splashband, Kolorblynd,
Holders Band, Jamari
and Fusion. Within the
last few years, his
maturity as a bandleader,
arranger, and music
teacher has come to
be evidenced in the
formation of his own
band, Ngoma. Ngoma is
comprised of James on
drums and percussion,
Leonard Griffith on
keyboards, Paul Murrell
on bass, David Walcott
on steelpan, and Ryan
Brewster on percussion,
in addition to Oneika
Best, Indra, and Marissa
Lindsay on vocals.
To date, one of his
most signal accomplishments
as a solo bandleader
was his performance
with Ngoma at the Barbados
Jazz Festival, 2002.
His major performance
on television to date
is “Jazz in The Sun”,
which was recorded and
broadcast by Black Entertainment
Television (BET) of
the USA.
FIRSTBORN is the title
of James Lovell’s debut
CD which is dedicated
to his son, Jared, who
is his first child.
This collection of five
scintillating songs
– “Like Ah Spouge”,
“One On One”, “Welcome
The Morning Sun”, “Symphony”,
and “Boom Byeh” – was
first issued to the
public a few months
ago. It is a self-published
compilation which he
intends to be a substantive
contribution to the
development of progressive
music in Barbados. It
represents a blend of
Afro-Caribbean rhythms
that emblazon and celebrate
the musical arc of our
archipelago from Cuba
to Guyana, but which
also incorporates jazz.
This blend of rhythms
represents a style called
Säf.
James has performed
extensively in North
America, the United
Kingdom, Europe, and
at home, within both
the Southern Caribbean
and the wider region.
He has shared stages
with and backed such
international artistes
as Rachelle Ferrell,
Kofi Ayivor, Tito Puente,
Eddie Bullen, Roberta
Flack, Luther Francois,
Thandi Klassen, Mori
Kante, Brian McKnight,
and Air Supply.
He has created a unique
and distinguished reputation
within local musical
arenas and communities
by performing and creating
music that is representative
of his people’s identity.
He earned this reputation
through dedication to
an eclectic schooling
in the study of rhythm.
For, in addition to
being largely self-taught,
his years of musical
apprenticeship have
also included studies
in Cuba; playing in
the local group
Ruk-a-Tuk International;
studying and working
with Barbadian master
drummer,
El Verno Del Congo;
and instruction at the
hands of world-renowned
American drummer, Bernard
Purdie. Throughout his
Barbados-based career,
he has been able to
consolidate upon his
steadily advancing reputation
by working alongside
such dominant talents
as the Grammy-Award-nominated
Nicholas Brancker,
Arturo Tappin, Ronald
Lashley, the Mighty
Gabby, John King, and
Adisa Andwele also known
as AJA), amongst others.
Foremost in James’s
future artistic projections,
is his vision of a cultural
market that will interweave
families, communities
and nations by communicating
to them Caribbean musical
traditions that convey
messages of love and
happiness. A major component
of this vision is James’s
role as a teacher. This
encompasses his work
as a private tutor,
and as an instructor
with local organizations
and schools including
the National Cultural
Foundation (NCF), the
Youth Achieving Results
programme, Parkinson
Secondary School, and
the Barbados Community
College. This year,
2002, marks his inaugural
year as a judge in the
NCF’s National Independence
Festival of Creative
Arts (NIFCA) competition.
Earlier this year, James
combined his talents
with AJA and the latter’s
band, Fusion, in a collaboration
whose intent was to
spread peace and unity
whilst actively securing
intellectual property
rights and trademark
status for Barbadian
and Caribbean musics.
So that, during the
summer months, they
took their talents to
Europe. There they performed
in Belgium at the internationally-acclaimed
Sfinks Music Festival;
in Germany, at the Welnecht
Festival in Owl; and
in Manchester, at the
Manchester Jazz Festival.
They also performed
in other countries and
festivals including
Switzerland and the
Soul of Africa Festival.
James Lovell is currently
working on a second
CD with his band Ngoma,
and has plans of opening
a music centre in the
near future. His most
joyful assistant in
his burgeoning artistic
development as a professional
musician is his wife,
Tamara, whose spirit
fuels the dynamic and
continuing pulse of
his heart.
Compiled by Ice Records
Ltd. in collaboration
with Tamara Lovell and
James Lovell.
December 11, 2002.
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