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Barnet Henry was a day-dreaming
14-year old who used to
get in trouble for scribbling
calypsos on his desk instead
of doing his lessons when
a calypsonian named Blue
Boy changed his life.
Blue Boy had come to the
Point Fortin Anglican
GBC, a small, rural school
in southern Trinidad one
day in 1980 and sang his
hit Soca Baptist.
"Blue Boy lick off
my head that day. He had
me going wild!" says
Henry, who is now known
as the Preacher, the winner
of the 1994 Road March
with "Jump Up and
Wave Again." Preacher
has gone down in the calypso
record books as the man
who prevented Blue Boy
(now Superblue) from taking
his place in history as
the only man since Roaring
Lion to have four consecutive
Road Marches.
Both singers grew up together
in Point Fortin where
they spent much of their
time composing songs in
Dunlop panyard. Preacher,
who grew up in a house
surrounded by churches,
began playing pan at seven.
Neither his father, who
is a Seventh Day Adventist
pastor and a singer, nor
his mother, who raised
12 children, wanted their
son to play pan. So Preacher
used to slip out and play
until one night, he brought
a tenor pan home and started
to play. His parents finally
gave up trying to make
him stop playing pan.
By the time he was 16,
Preacher, who was given
his name by his boyhood
friend singer Iwer George,
was living in the panyard.
He was in charge of taking
care of the instruments
so nobody would take them.
He had already written
his first soca tune by
then, a crossover love
ballad soca tune called
Soca Baby. He sold his
first song, "We Doing
That," to New York
based singer Wayne T.
Preacher was contented
puttering around in the
panyard, going some painting
jobs on the side and writing
his songs until one day
Iwer George came and said,
"I going to town
to audition for a tent.
You come too."
It was in 1986, the year
of David Rudder's "Hammer
and Bahia Girl,"
when the Point Fortin
duo went to audition at
Blue Boy's Culture House,
Kitchener's Revue and
Spektakula. "We went
to every tent in town,"
says Preacher, "and
everyone had the same
answer. 'They put their
arm on my shoulder and
said, 'Youth, You have
real potential. Keep trying.'"
Had the tent manager's
reaction been positive,
Preacher may have take
the road that Point Fortin
calypsonians like Cro
Cro, Duke or Luta took.
He may have stuck to serious
social or political commentary.
However, the rejection
made him turn in a different
direction.
In 1988, Trinidadian musician/arranger
Kenny Phillips (who arranged
Preacher's winning Road
March) did a demo of Preacher's
Obeah and Pan Revenge
and it was included on
an album called Witty,
Wassy and Lumpy with Trinidad
Rio, Preacher and Dyno.
Those two songs took Preacher
to a calypso tent in the
National Stadium. "We
were singing, but times
were hard," says
Preacher. "Iwer and
I used to buy a bread
and a box of chicken and
split it. We slept in
the car or the Stadium
until we scraped together
money to travel home to
Point. But I wasn't giving
up. I just wanted to sing
and let them know there
is a Preacher coming."
In 1990, the tide turned
from Preacher. Ironically,
it would turn out to be
a turning point for Superblue,
also. Alison Ayres gave
Preacher a song called
"The Pledge"
which made real waves
during the 1990 coup attempt.
The song had originally
been destined for Superblue
until Ayres remembered
Superblue already had
a song called "The
Pledge."
When Superblue arrived
for the 1991 Carnival
singing "Get Something
and Wave," which
would become the Road
March, Preacher was making
waves with "The Pledge."
And that went on to inspire
him to write an upbeat
social commentary called
"Abu Bakr Take Over"
which he sang in the Calypso
Revue.
By that time, Preacher
had become a prolific
songwriter. The Barbadian
group Spice were singing
"Lift Your Leg and
Wine." Internationally
acclaimed singer Arrow
from Monserrat was singing
"Wine Your Body."
The United Sisters sang
"Whoa Donkey."
Alan Welch sang "A
Little Bit of Wine."
Drupatee sang "Lick
Down Meh Nani". Ajala
did "Jump",
the 1993 Road March runner-up,
and Byron Lee took Soca
Bogle and Soca Butterfly.
Still, Preacher remained
one of the most invisible
songwriters until Superblue's
Bacchanal time got him
thinking about a song
called "Jump and
Wave Again."
In 1994, as the Carnival
clocked ticked off to
the half-way mark and
Superblue still hadn't
arrived, it looked as
though it would be clear
sailing for Preacher,
as indeed it was. "Jump
and Wave Again" won
him his first Road March
title.
For Carnival 1995, Preacher
headlined the government
run calypso tent with
"Dance Like a Baptist,"
inspired by Superblue's
1980 Road March Soca Baptist.
His music has become known
for its energy, popping
horn lines and riveting
rhythms. Preacher's first
album, Rattlesnake Wine,
produced by Kenny Phillips,
one of Trinidad's leading
producers, has been released
on Ice Records and is
poised to take the world
by storm.
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