[Friday,
March 16, 2006]
Eddy
Grant's Tribute To The Late
MIGHTY TERROR
|
Bayleys Great House
|
|
Bayleys Plantation |
|
St Philip |
|
Barbados |
| |
|
15th. March 2007
|
Yesterday
the fourteenth day of March
2007 I lost my friend, my
artist, and my staunchest
supporter. And, the Caribbean
lost another of its
irreplaceable icons in the
form of Fitzgerald Henry
more famously known as THE
MIGHTY TERROR.
There will
be many words written with
many quoted statistics about
the achievements of The Mighty
Terror. He will be lauded and
applauded by many pundits of
Classic Calypso, and by some
whose hearts have at some time
been touched by the beauty of
this great Calypsonian’s
voice. Yet this is not what
I’m here to write; though,
believe me in the coming
months, God willing, I know
that I will be engaged in many
discourses about the value of
Terror to the Classic Calypso
firmament.
Firstly
I would like to convey on
behalf of the ICE family, my
sincerest condolences to the
Henry family, and hope that at
this time they find all the
necessary strength normally
required when a family suffers
such a loss, especially in
such a case where their
loved-one is a person who has
lived his life unstintingly in
the public’s eye. God be with
you all.
I like to
think that I have special
relationships with all or most
of the artists I work with.
Sometimes because of perceived
favouritism in one direction
or the other I may find more
than a little truculence in
the behaviour of one or two of
them, but generally I have
tried to create a feeling of
family among the artists so
that jealousy is rarely a
factor in our lives as we try
to create that greatest of all
gifts, music and in the case
of The Mighty Terror,
Classic Calypso M usic. Yes,
The Mighty Terror was one of
the last of the greats of
Classic Calypso.
You may
have noticed that I use that
term a lot. I decided some
time ago that there was a need
to distinguish between just
plain old Calypso which Lord
Anybody sang and that which
artists like The Mighty
Terror sang. What they
sang made sense and you could
actually see the situations
they sang about. Equally, a
true true Classic Calypsonian
may decide to dedicate his
melodies to the Players of
Pan, making it easy for them
to interpret the song for
their instruments. The Players
of Pan would reciprocate by
bringing new life to the song,
enabling it to have a longer
shelf life in most cases.
Certainly this would have been
the case in those days long
gone, before the now all
pervasive sound system came to
the fore on the road. Trends
have come and gone in Calypso;
the faint-hearted have wavered
and doubted its resilience in
the face of the onrushing
power of youth, but Classic
Calypso is the foundation of
Caribbean Culture and cannot
easily be shunted to one side.
The Mighty
Terror
was a Foundation Man. He stood
by and for, the Creation and
proliferation of Classic
Calypso. He never would just
raise the tempo for the sake
of wishing to appear “modern”.
He knew the value of telling
it like it is, so that one day
a young man or woman wishing
to pick up the baton would be
able to read it right and also
tell it like it is for the
sake of the artform of Classic
Calypso.
I don’t
think that there could be
anyone in calypso circles who
would dare to say that The
Mighty Terror was not one
of a kind. I mean, he could
actually sing; as good as any
classically trained singer ,
pop star or jazz singer. He
was not called GOLDEN VOICE
for nothing. Even into his mid
eighties when most other
voices would have diminished
in potency, Terror continued
to terrify his calypso
opponents most of whom were
of a later vintage and at the
same time he would never
forget to do something for his
beloved Players of Pan.
I look
forward to hearing the pans
play the songs of The
Mighty Terror in the same
way that they have honoured
that other great Classic
Calypsonian Lord Kitchener.
Yes, I
shared many confidences with
Fitzgerald Henry The Mighty
Terror, Classic
Calypsonian and GREAT HUMAN
BEING during his lifetime. At
all times, wherever the
conversation would go, it
would always return to his
love of Classic Calypso and
Steel Pan and his wish for a
museum for both in the Land of
Steelband and Calypso. Somehow
knowing Terror, I think the
reason he has decided to leave
us at this time is because he
knows that he has done his
work beautifully and he may
have seen the signs that he
needs to wish no more for
those things.
Rest In
Peace MIGHTY TERROR. As
your good friend Gabby would
say, WELL DONE.
By Eddy Grant
Chairman of ICE RECORDS Ltd.
And associated companies.